A shared experience, a change in perspective, is the catalyst for interaction. The questions that
we then get to ask each other as we find out more about a new environment – “Did you know that I could see…?” “We had no idea until we walked in.” “Wait! You could see me through there?” When the two contrasting environments converge, what connections do they reveal?

Our goal with Escandido is to create the aha moment as roles exchange from the mirrored to the observer. This discovery, whether a moment of collective foolishness or introspection, allows a shift in understanding. In Spanish, Escondido means hidden. Candide means white, pure, naïvely optimistic. Candid means upfront, frank. And in imagery it means a photograph taken without the person’s knowledge.

The structure is a white, glossy photo booth covered in three mirrors, reflecting viewers back on themselves. Mirrored reflections contextualize our image within the public sphere, acutely highlighting our physical bodies within the built and social environments.

The interior is painted flat black. The ceiling has a single oculus for natural light. As we move inside, the mirrors have become portals, seeing through to the exterior. This space is meant to be comfortable, dark, and calm, allowing us to focus on the new perspective gained.

Using the full 10’ x 10’ x 10’ limits, the simplicity of the form draws focus to the mirrors while the curtain invites people inside. The seating pedestals are furniture quality concrete set in black river rock. The space within meets clearances for accessibility. The floor is level with the grade. Designed as a kit of parts, Escandido can be deconstructed and relocated to wherever its needed.